The Quixotic Engineer

I’ve finally taken the plunge into next-gen! I had been considering picking up one of the three new consoles for some time, but I figured it was only sensible to finish my 6-hour exam marathon on Wednesday first (or I’d never get any studying done). With that behind me, I had a choice between the “lots of power, no games” PS3, the “cool idea, how about some decent games?” Wii and the “breaks after 2 months” Xbox 360. It was a tough call, and I’ll curse myself if I get the dreaded red ring, but I went with an Xbox 360 Elite in the end.

The difference that really struck me between this machine and my last-gen consoles is how well it has integrated online capabilities. I don’t know if Xbox Live on the first Xbox was as good as this, but I’m very impressed at how it’s all available up front. From the moment you turn it on (which you now do from your couch with a wireless controller), you’re immediately logged on to your Xbox profile, and that one profile handles your whole account both online and offline. You can press the guide button at any time, even in game, and it will pull up the Xbox dashboard.

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When I first read about Shadow of Destiny, it immediately struck me as a very peculiar game. It has elements in common with Indigo Prophecy, in that it involves a murder mystery and is somewhat like an interactive film. What interested me enough to skulk out eBay for it, however, was definitely its unique premise; you play as Eike Kusch, a recently deceased man who is given the chance to go back in time and prevent his own mysterious murder.

After being stabbed in the street, Eike finds himself in a timeless void where a creature named Homonculus offers him another chance at life. Dodging fate, however, is a daunting task; it seems that the young man has found himself caught up in a sequence of events that has spanned centuries. At the start of each of the game’s eight chapters, fate catches up to Eike in a number of creative ways (which include being run over by a car, having his food poisoned and being pushed off a tall tower). Each murder that he manages to prevent gets him a little closer to the root of the problem.

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I was recently directed to new video series over at Gametrailers.com, a retrospective of the Final Fantasy series. While I’m all for nostalgia, I’m becoming a little jaded by it. I’m happy to see gamers acknowledge their roots, but frankly I’m tired of game companies looking to cash in by exploiting my childhood memories.

I was, however, pleasantly surprised at the quality of this retrospective. I expected a cheesy montage of gameplay footage, but instead found that the videos explored some interesting questions: How was Final Fantasy radically different to other games at the time? What innovations did it each sequel bring to the RPG genre? How were the early games unbalanced?

You may also want to check out their Metroid and Zelda series retrospectives, which are also good.

[Final Fantasy Retrospective – Part 1]

Interviews with game developers don’t usually interest me, generally because the interviewees always come off as salesmen and rarely just want to talk openly and honestly. Even if you’re similarly jaded, I urge you not to overlook the recent Snake vs Zombie event interviews, which featured a trio of important designers: Hideo Kojima (Metal Gear Solid), Shinji Mikami (Resident Evil, Viewtiful Joe, Devil May Cry) and Suda51 (Killer 7).

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If you’re at all tuned in to gaming news, you’ve heard of it and possibly salivated a little. I’m not going to say anything new here that you haven’t heard before.

To everyone else, the word of the day is Bioshock. A spiritual successor to the innovative System Shock series and scheduled to be released in late August, the game is attracting a lot of seemingly well-deserved hype. I can say from personal experience that every person who I’ve shown the game to has expressed an interest in purchasing it.

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