While I’m a relative neophyte to the world of comics, I’ve become a rather big fan of two series: Mike Mignola’s Hellboy and Jeph Loeb’s Batman stories (such as The Long Halloween.) Both revolve around a stoic world-weary anti-hero, and they share a certain dark sensibility that I rather enjoy. If you were to combine the mystery, folklore and occult of Hellboy with the familiar faces of the Batman universe, the result would be the mini-series Batman: Dark Knight, Dark City.
The story begins in a cellar in 18th century Gotham, where a group of robed cultists (including a young Thomas Jefferson) prepares to sacrifice a young woman to gain control of a demon they have summoned. The ritual goes awry and the men flee the evil presence they have unleashed, locking the girl inside with it. Scarred by what they have seen, they decide to dissolve their group and forget the incident.
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