The Quixotic Engineer

Anamanaguchi – Dawn Metropolis

With the chiptune scene becoming increasingly important and interesting, it was only a matter of time before a band like Anamanaguchi showed up with a radical new take on the genre. While many chiptune artists create rocking music using synthesizers and NES sound chips alone, Anamanaguchi complement their sound with live guitar, bass and drums. The synthesis of the two worlds is difficult to categorize; it has the excitement of metal, the timbre of a vintage video game, the rhythm of dance-punk. Dawn Metropolis is an exciting album, pure and simple.

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Last month, head editor Ben Abraham and his crew of bloggers launched Critical Distance, a game criticism archive and compilation blog. They’ve been doing a terrific job, linking out to fascinating new sites and really expanding the conversation.

With exams over, I recently had a chance to contribute something: a post wherein I attempt to connect my love of indie games with my interest in music history. A quick note about the unusual format: it’s not intended to be an in-depth comparison, just a light exploration of the concept via various game bloggers.

Critical Distance – Punk & Indie Games

If you’re looking for fresh perspectives in video game criticism, then Critical Distance is definitely a website to watch.

Fleet Foxes – s/t

A delightful, dreamy folk album that evokes the softer side of Jethro Tull. It’s lovingly and masterfully crafted from beginning to end. “White Winter Hymnal” is the perfect song for a chilly December afternoon, and “Ragged Wood” feels like a long walk through a familiar forest.

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Jazz is a fascinating genre of music. Born out of slavery in the Mississippi Delta along with its sister the blues and defined by complex melodies and improvisation, it became the framework for some of the greatest musical minds of the 20th century.

To those of us raised on three chord rock and 2:50 pop songs, however, jazz can seem a tad impenetrable. The songs often lack a traditional structure, and change rhythm and melody on the fly. Lacking a paradigm within which to understand the music, it can be difficult to pursue the active, focused listening required to properly grok it.

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I’d heard from friends and other video game enthusiasts that Video Games Live was a fantastic experience and well worth going out of your way to see. Unfortunately, life got in the way when they came to Montreal a few months ago, but yesterday I was given a second chance. They were putting on a free show at Yonge-Dundas Square in Toronto, no more than a hour or two away from my current residence in Waterloo. I thought I’d do a little recap of the evening’s events, and hopefully convince you to check them out if they’re playing near you.

The show was scheduled to start at 8:30, but we got there at 7 to ensure a good spot (it was a free show after all.) There were Wii and Xbox 360 stations set up for people to play, as well as a Guitar Hero competition that went on throughout the day. There were a few cosplayers, including a troupe of Jedis and a dude in a fantastic Phoenix Wright costume. There were also hordes of people playing DS while they waited, so it was a good opportunity for me to take advantage of The World Ends With You‘s mingle mode feature.

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